By Frederick Luis Aldama
Common conceptions permeating U.S. ethnic queer concept are likely to confuse aesthetics with real-world acts and politics. usually Chicano/a representations of homosexual and lesbian stories in literature and movie are analyzed easily as propaganda. The cognitive, emotional, and narrational elements (that is, the subject material and the formal features) of these representations are usually diminished to a priori agendas that emphasize a politics of difference.
In this publication, Frederick Luis Aldama follows a wholly varied strategy. He investigates the ways that race and gay/lesbian sexuality intersect and function in Chicano/a literature and movie whereas taking into complete account their inventive nature and accordingly the explicit type of paintings invested in them. additionally, Aldama frames his analyses inside brand new higher (globalized) context of postcolonial literary and filmic canons that search to normalize heterosexual identification and event. in the course of the publication, Aldama applies his leading edge method of throw new mild at the paintings of authors Arturo Islas, Richard Rodriguez, John Rechy, Ana Castillo, and Sheila Ortiz Taylor, in addition to that of movie director Edward James Olmos. In doing so, Aldama goals to combine and deepen Chicano literary and filmic reports inside a comparative standpoint. Aldama's strange juxtapositions of narrative fabrics and cultural personae, and his premise that literature and movie produce fictional examples of a social and historic fact excited about ethnic and sexual concerns mostly unresolved, make this e-book suitable to quite a lot of readers.
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Brown on Brown: Chicano/a Representations of Gender, Sexuality, and Ethnicity by Frederick Luis Aldama
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